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The Creative License
Giving yourself permission to be the artist you truly are
by Danny Gregory
Hyperion, 2006
Teapot in the Radisson Hotel
by Danny Gregory
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Danny with Ian Clayton on location in Dewsbury for Yorkshire Television's
My Yorkshire
As soon as Jane Hickson, the producer
of Yorkshire Television's My Yorkshire saw Danny
Gregory's book Everyday Matters, she changed
her filming schedule in order to fit in a flying visit Danny was
making to spend a weekend with us. They filmed Danny and I drawing
at Dewsbury market.
When I met Danny at far too early an hour at Manchester
Airport I realised that, as he'd been travelling through the night,
the first thing he'd probably appreciate before diving for the
train would be a cup of tea. Before we'd finished he'd drawn the
teapot and added a watercolour wash. He'd been drawing, rather
than sleeping, on the plane from New York and, when he ran out
of suitable subjects, he riffled through the in-flight magazine
and found some photographs of the Dickensian-looking buildings
huddled along the Royal Mile in Edinburgh. He used a mix of hatching,
cross-hatching and scribbly circles to describe walls, pantiles
and windows, giving a Hogarthian (Paul, not William) energy to
the drawing.
The Radisson Hotel teapot (left) and the
Royal Mile drawing appear in Danny's latest book, The Creative
License.
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Pep Talk
If
Danny had put just his drawings in the book you'd pick up his message
of 'giving yourself permission to be the artist you truly are' because
his drawings have such a sense of fun, inquistiveness and improvisation
about them but he writes in such a fresh, inspiring way too: I'd defy
any artist, would-be or professional-in-a-bit-of-a-rut, to read his advice,
stories and regular end of chapter pep talks without finding themselves
smiling and picking up some of that creative energy.
Danny occasionally invites members of the Everyday Matters Yahoo
discussion group to join him on location in New York but, if
you can't get along
to one of these sketch crawls, Creative License should have the
same energising effect on you.
During his weekend with us, I'd occasionally say 'would you like to meet
a couple of my artist friends . . .' or 'my mum lives just around the
corner, would you like to call in for a coffee and meet her . . .'
And Danny would always reply, 'Hmmm, perhaps we could go and do some
drawing this morning . . .'
When Barbara and I got up on the Saturday morning, Danny, who by rights
should have been jet-lagged as he'd been in Jerusalem the weekend before
and back to New York in between, had already made a start on a watercolour
of our back garden, which appears in the new book. In fact there are half
a dozen drawings in the book that he made that weekend - an Victorian
tank engine in the railway museum, the Old Bank in Horbury, our bookshelf
and my fold-up tube of watercolours.
While reading the book I've felt myself thinking, yes,
this is the way I should be working, this is what I should be
doing, then I turn the page and there'll be a page from one of my
sketchbooks. Yay! - it's great to be a part of such an upbeat, energising,
inspirational polemic on the individual creativity that we all have the
ability to enjoy. 
Links
Danny Gregory
Everyday
Matters an ongoing discussion about creativity, drawing,
journal making and seeing more clearly.
Richard Bell, richard@willowisland.co.uk
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