|
I take a path up the side of Win Hill which starts not far from the waterfall I was drawing yesterday and, after ten or fifteen minutes climbing the rugged stone blocks that serve as steps, I'm ready for a break. I'm about to sit on this larch stump but it's wet and covered in powdery algae so sit on the mossy bank beside it, folding up my coat (I'm warm after that climb) as a cushion. When you're walking through rugged country, you're watching where you put your feet, so you can tend to get just a general impression of the landscape that you're passing through; woodland, moorland or water's edge. But when you stop and allow yourself a few minutes to take in your surroundings,
you start to pull in a thred of connections within the landscape; to natural
history, geology, Field Notes
I'm so busy these days with my publishing business that I find it difficult to allow myself enough time to be drawn into the natural world to any extent. I'm going to have to find the time to do so, because the theme of my Peak District book is making a connection with the landscape by noticing the small things that you perhaps don't take in consciously as you walk briskly over the hills but which are so much a part of the experience of being here. After all the wash drawing yesterday, I'm ready for some linework, or,
rather, a combination of my regular Parker fountain pen
and the pre-mixed Chinese ink washes which I was using yesterday.
Richard Bell, richard@willowisland.co.uk |