Richard Bell’s Wild West Yorkshire nature diary, Sunday, 30th August 2009, page 2 0f 2
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IT’S TAKEN since mid-
I had intended to end this little sketchbook with a burst of colour but I’d left my pocket watercolour box on the desk in the studio, so it’s back to the ArtPen for these sketches.
That frame around the drawing is a rare embellishment for me. I expect it’s my way of drawing a line at the end of the book.
I enjoyed reading a couple of books on painting this week; The Artist’s Guide to Mixing Colours by Jenny Rodwell and Alwyn Crawshaw’s Learn to Paint Landscapes.
I’ve been out with my watercolours every year since my student days but every time
I get out there again, I feel as if I’m starting from scratch. I still haven’t come
up with an easy, sure-
Added to this I’m keen to avoid getting set in my ways, so every now and then I feel
the need to see how other artists approach things. Mixing Colours was just what I
was looking for: beautifully presented, clear but not prescriptive, and it's given
me some food for thought, for instance about violets, indigo and madder-
As I’ve mostly worked for books, I’ve adapted my work to the 3-
Some of the palettes demonstrated in Mixing Colours are exotic and tropical but Alwyn Crawshaw’s Landscapes are closer to home. I like the way he takes a handful of the watercolours that everyone has in their watercolour box and gets such a range of natural looking colours from them. I like his practical advice, such as to start drawing as soon as possible and to avoid the temptation to look around the next corner and the corner after that, for a better view. I’ve recently been painting in some of the same places he includes in the book, so being able to see his work is a bit like looking through a friend’s sketchbook when you’ve been out together for a day’s drawing. That feeling of ‘ah, of course, that’s the way it should be done!’
His approach is always relaxed, encouraging and practical with a touch of humour.
Although Mixing Colours is more wide-
Links
Her website includes her memories of how she first discovered colour as a child.
He calls his current exhibition ‘Last Gasp’. Hope that isn’t really the case!
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