|   Denzil Walton, an English writer based in Belgium, 
        has been asking me about my local booklets and how I print and publish 
        them. If you're interested, here's what I told him: 
       
          
        Pocket-sized Publications
      The pocket size (A6, about 6 x 4 inches) works so well. Today I've been 
        printing out more copies of Waterton's Park in the background 
        to other activities. I've had the covers printed professionally but my 
        oversize A3 laser printer is fine for the black and white inner pages 
        (and even for colour in a limited way). 
         
        Willow Island: is that your own company? 
        Yes, 
        I couldn't very well have books by Richard Bell . . . published by 
        Richard Bell, so I named Willow Island Editions after 
        a clump of crack willows that I can see from my studio window (left, 
        in an acrylic on canvas I painted of them). The stream, Coxley Beck, 
        forks then rejoins to create an island half the size of a tennis court. 
         
        Did you set it up yourself as an outlet for your books? 
       Yes, 
        my first product was a guide to my small home town of Horbury, 
        which I put together from drawings I'd previously made of the older corners 
        of the town, annotated with short captions based on local history books, 
        press cuttings and the bits and pieces of local knowledge that I've picked 
        up over the years. I managed to get the whole thing designed, written 
        and printed in just 3 weeks, in time for an exhibition of my artwork at 
        the local library. It is still in print and I must have sold 1,500 copies, 
        probably more like 2,000. 
       
        Money Matters
      If so, how, if may I be so bold to ask, is it profitable, as 
        it is quite a niche market? 
       Well, 
        that's why it's profitable, because it is a niche market. Anything 
        local sells. Imagine trying to market a novel! 
      We can easily keep tabs on about 6 local outlets who between them have 
        sold thousands of books. The ideal would be to have 20 or 30 titles all 
        in print, selling steadily but when I'd completed 7 little local books 
        I felt the need for a creative challenge so I went on to my Sushi 
        Sketchbooks (left), which are a bit more specialised but 
        they've given me the opportunity to develop ideas, without being bound 
        by the format and topographic focus of the informative local studies booklets. 
        I can explore atmosphere and my feelings about the places I draw. All 
        the Sushis are drawn on location. 
         
        Or is it a sideline and you have a full time job elsewhere? 
       I've 
        gradually cut out everything else - teaching, exhibitions, commissions. 
        My next step, if I can do it, is to produce more substantial sketchbooks. 
        If Rough Patch does OK, that will give me the opportunity to 
        publish a sketchbook about the Peak District. 
         
        The great thing about publishing the little books at home, especially 
        if you're printing on demand as I do for the slower sellers, is that you 
        can keep a reasonable stock of each title in Ikea boxes on a shelf in 
        the spare bedroom, which is now Barbara's office for the invoice side 
        of the business. The problem with getting a 160 page A5 paperback like 
        Rough Patch printed is that 4,000 copies amounts to four pallet 
        loads and they're stacked in our back bedroom, here in the studio and 
        at Barbara's mum's. 
         
        How I will manage when I've several bigger books in print, I don't know! 
        Perhaps I'll have to look for warehouse space somewhere. 
      Bursting into Print
      So you print at home? 
        That's 
        the basis of it: all the Sushis were printed at home. I just do 5, 10, 
        20 at a time, whatever. With the local books I'll sometimes do 100 at 
        a time, but if anything shapes up to be a steady seller like Sandal 
        Castle I'll get it printed professionally 1,000 at a time - that's 
        still just 3 or 4 boxes with such a small book. This probably works out 
        at less than the cost of the toner and paper and it saves days of my time, 
        but printing at home, in small runs, allows me to experiment. There's 
        no outlay, except in time. 
       
      
        
            
              Turning my original sketchbooks into 
              the Sushi Sketchbook Saints and Serpents.
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           Design and layout
            May I ask what desktop publishing software package you 
              use? 
             Microsoft 
              Publisher for the local books (which works best with my 
              printer) and Macromedia FreeHand for the Sushis 
              (which is compatible with the Macs used by professional printers). 
             Do you layout as for an A4 page and then reduce to A6 
              at the printing stage? 
             No, but a lot of the pre-existing drawings were reduced in size 
              to fit in my local books. For the Sushi's I invariably 
              draw same size. 
             Do you then cut and staple everything together at home 
              also? 
             Yes, I've got a hand-operated guillotine (builds 
              up your muscles) and a Stanley Bostitch booklet stapler 
              (a saddle stapler that you can put a folded book on). I once looked 
              at a bigger guillotine but it would have taken up half my room. 
            The Big Issue
            Sorry if I am bugging you with all these questions, but 
              I just love this concept of yours and can already visualise a series 
              of booklets on Belgian walks. 
            Sounds like a good idea. 
            Really, the big decisions aren't technical; they're the decisions 
              we all have to deal with between freedom and commitment. 
            I want the freedom to draw, so I publish the books but, because 
              the books are so successful I find I have less and less time to 
              draw! 
            You can't win!   
            Richard Bell, richard@willowisland.co.uk 
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      Links
       Denzil 
        Walton, an English freelance technical copywriter based in 
        Brussels ('you'll find the Fôret de Soignes is full Siberian 
        chipmunks' writes Denzil in one of his nature walk articles) 
      Willow Island 
        Editions - where you can now buy my booklets online.  |