crack willow

Tree and Leaf

nature diary back to 12th November back a few thoughts . . .
Friday 11th November 1999


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willow in watercolourwillow in ink and wash WHAT STYLE? What medium? I guess the question is immaterial when it comes to the essential mystery of the existence tree. To put it a more simplistic way, the willow, if it had an opinion, wouldn't care one way or the other.

Some of my artist friends think that painting and drawing work like this;

Observation of nature leads to Drawing which, sometimes, leads to a flash of Inspiration or Genius

But I wouldn't agree. Nature isn't a fossil fuel to stoke the fires of genius. That would be an arrogant attitude. That would be like saying nature is of no use unless it is doing some work for us.

Once of I've done my sketch of the willow the main thing that remains is the willow itself, not my interpretation of it. My work should be a celebration of the willow. The most brilliant piece of artwork would be just a shiny bauble if it didn't do something to point the viewer towards something else; the meaning of life or whatever you want to call it.

You can imagine what I mean, can't you? A painting or sculpture that is impressive, technically perfect, but which leaves you with an empty feeling. A singer who overdoes the vocal effects at the expense of the emotional impact of the song; 'I did it . . . mmmmyyyyyyyyyyyyyyyyy . . . wayyyy!!'

crack willow It's like when you're pointing out of a window to show a baby a bird. The baby is fascinated by the finger and misses the bird. If the supposed 'genius' of the Artist and the awesome brilliance of the Artwork become the most important things, then you've probably lost any insight, any 'message', that they were originally intending to convey.

Meanwhile, back in the real world . . .

Richard Bell
Richard Bell,
wildlife illustrator

E-mail; 'richard@daelnet.co.uk'

  
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