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Sea-green Dragon Skin
Friday, 21st February 2003, West Yorkshire |
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This algae-covered rock-face in the right-hand chamber of the Deer
Shelter (see 16th January)
is ribbed with bands of ironstone, deposited in cracks in the sandstone.
The dark green surface is warty and granulated, cracked and folded, like
the skin of some extinct reptile.
Leviathan
The first dragons to be mentioned in mythology were sea monsters. From
Sumerian times onward they've had a bad press; they seem to exist primarily
to be slain by the hero of the story - St George, Perseus . . . even our
own Christian/Jewish God, Yahweh himself, isn't above boasting of his
power over the fire-breathing leviathan, described in impressive detail
in Job, chapter 40;
'His scales are his pride, shut up together as with a close seal. One
is so near to another, that no air can come between them . . . The flakes
of his flesh are joined together : they are firm in themselves ; they
cannot be moved . . . The arrow cannot make him flee . . . Darts are
counted as stubble : he laugheth at the shaking of a spear . . . He
maketh the deep to boil like a pot : he maketh the sea like a pot of
ointment.'
It seems that this sea monster was named for the character of its skin
or its flesh; in Hebrew leviathan means 'that which gathers itself
into folds'.
Dragons and serpents guarded sacred sites or treasures, like the Golden
Fleece. They are associated with reincarnation and with oracles. They
represent the forces of nature; the lucky Chinese dragons especially are
spirits of the earth, air, fire and water.
The Gates of Dreams
Every
time I enter and leave the Deer Shelter enclosure I lift this rust-pitted
iron fastening on the twin gates. The 'clank' as it drops on the scarred
timber is now a signature sound of the place for me, along with the calls
of jackdaws. I like the way the curved tops of the uprights echo the curved
arches of the Shelter beyond. They also remind me of the two stone tablets
of the Ten Commandments!
The second commandment seems to be a warning addressed especially at
natural history illustrators;
Thou shalt not make unto thee any graven image, or any likeness of
anything that is in heaven above, or that is
in the earth beneath, or that is in the water under the earth
A likeness of a leviathan would be right out of the question. The God
of the Ten Commandments also had a special dislike of hewn stone (also
in Genesis, chapter 20), certainly for use in an altar:
for if thou lift up thy tool upon it, thou hast polluted it.
The rough-hewn stones of the Shelter, its pillars, its arched recesses
and the fissured bedrock, which pre-dates the dinosaurs, give it an atmosphere
of an ancient sacred site . . . with a strong pagan resonance.
The Spirit of the Place
In pagan antiquity every tree..had its own genius-loci—its
own guardian spirit.
Magnus Pyke, (1908-1992)
I
can't say I've exhausted the possibilities for drawing in this small but,
to me, special oval enclosure but I feel that I've caught, as far as I
can, what I feel is the essence of the place. I'm sorry to be finishing
here but it's time to be moving on. Appropriately I've got to the last
page in my square sketchbook (left).
A
golden sun is going down behind the boughs of the old pollarded ash as
I sit to write a few notes after I've finished my sketch of the gate.
Then I notice a pellet, just under 2 inches (5cm) long, lying on the turf
at the foot of the left upright of the gate. It's about the same colour
as the weathered wood of the gate.
It's
a pellet of indigestible material coughed up, I presume, by some bird
of prey that had been sitting on the gate. I break it up; it is dry and
furry in texture but from the fine splint-like bones, the beak and small
breastbone that I find in it I guess that the furry matrix is in fact
feather.
A
sparrowhawk might have regurgitated it but I'd like to think that it was
a little owl. While I've been drawing here on perhaps 20 occasions during
the last two months I've had tantalising glimpses of what I assume is
a little owl. I heard its call on a couple of occasions;
'Weeeou! Weeiiou!
weeiou! wweiiou!'
One
morning it watched me from the branches of the pollarded ash until it
was chased away by a woodpecker.
As the owl is associated with wisdom it would seem an appropriate
guardian spirit for this place. The twin pillars of the Shelter with their
twisted markings also seem symbolic of wisdom. It's appropriate that it
should have been watching me; a presence in the background that
I never quite made contact with, just as I never can quite catch that
elusive feeling of the genius-loci of this old place in my sketches.
A Gift from the Gods
If this is a little owl pellet, I'll take it as a parting gift from the
guardian spirit of the Shelter! In ancient Rome auspices, later known
as augurs, were those who interpreted signs from birds. Auspice in Latin
means 'to look at a bird'. So what message does this pellet hold for me?
I think it could be telling me that it's about time I got back to studying
natural history!
The
little owl is an introduced species in England. The first attempt at introduction
was at Walton Park, 5 miles to the north east of Bretton. The Victorian
naturalist Charles Waterton (1782-1865) bought
twelve at the bird market in Rome (yes, the Italians used to eat them!).
Unfortunately seven of them died on the long stage coach journey back
to Yorkshire but he released the five surviving birds in the Park at 7
p.m. on the 10th May 1843.

richard@willowisland.co.uk
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