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As I expected, after all the care that has been taken in getting the book ready for print, the quality of the printing is immaculate, both the colour and the black and white. The drawings have so much texture and life in them, as if they're coming off the page. I feel that watercolours can be difficult to print, because of the subtlety of the thin washes of colour, but they've got exactly the character of a watercolour in a sketchbook. There's springiness and inkiness in the pen and ink drawings. Printing on such a large press gives astonishing precision in the registering of the three colours - cyan, magenta, yellow - and black that the process uses. The stack of black and white pages (left), which have already been printed, is the size of a desk. A print run of 4,000 copies sounds quite modest but one thousand 160 page A5 paperbacks would make a stack the size of a large washing machine, so this is the most ambitious project we've ever taken on as a Willow Island Editions publication. It's exciting, if a little daunting! But it's going to be a great little book. Not so much little, at 160 pages, I think it will have a satisfying chuckiness to it. I can't show you how good it looks on a 72 dots per inch screen so make sure you get your hands on a copy. Who knows, with a print run of only 4,000 the first edition might become a collectors item! Hope to have bound copies by the beginning of October. LinksHart & Clough: the Amadeus Press is the book printing side of the print group. Richard Bell, richard@willowisland.co.uk |