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There's a wonderful bank of cumulus going past beyond the wood this afternoon. By the time I've got hold of my sketchbook and paints it has drifted away to the south: there's a cold wind from the north, or north-east.
Kafka under a Cloud
He quotes Franz Kafka who, when feeling miserable on
a Sunday afternoon, wrote that he was 'astonished sometimes by the almost
unending senseless passing of the dull clouds'. I'm quite worried about
that Kafka. Watercolour Clouds
I don't bother sketching a pencil outline but work quickly, drawing with the brush before the cloud changes its shape beyond recognition. I use cerulean blue for the sky background, leaving the clouds as white paper showing through. I should be able to get the same colour using French ultramarine with a spot of yellow mixed in but when I've got my larger paintbox with a pan of cerulean blue I might as well use that. Cerulean means 'the colour of the cloudless sky; deep blue, azure' so it is a useful, but not essential, colour to include in a watercolour box.
I may be catching the cloudiness of clouds but I'm not getting that 'chiselled' form that Collis comments on. For my last sketch I try 4B pencil. I wouldn't normally use 4B, I go for HB or 2B, and I've always considered 4B too soft but it's ideal for quickly sketching in the cloud, encouraging me to sketch in as much in tone as in line. It picks up the texture of the fairly smooth cartridge paper I'm using, creating a stippled areas in the shadows. I was going to leave this pencil sketch as a tonal study but I can't
resist seeing what a watercolour wash will look like over it. It seems
to work well and it's a quicker way of establishing the light and shade
on the cloud than working with watercolour alone.
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