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Life Class
While Danny was with us over the weekend he asked to look through
some of my old sketchbooks. Amongst them were life drawings I'd
made at an evening class. Life drawing is a challenge for an artist,
an artist's equivalent of a pianist playing scales but for me, as
someone who likes to draw from nature - from 'real' life - life
drawing lacks something. This drawing of mine from the spring of
1989, when I decided to pack in the weekly life drawing class I'd
attended for the previous ten years, is typical.
I'd say the disadvantages of a life class drawing are:
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the pose, which has to be held for 30 minutes or more, tends
not to be spontaneous
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there's no story to be told about the model in that particular
situation, other than the tedium of her sitting motionless for
long periods, and I think that tedium can come through in the
drawing
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there usually isn't any particular relationship between model
and artist so the model becomes an object to be studied. Her
own inner life becomes a thing of secondary importance
For these reasons I find drawing 'real' life people more fascinating
than life drawing. It's similar to drawing animals: you might be
able to study a stuffed animal in far greater detail than the living
one but the more carefully you draw it the more stuffed it's going
to look. |